Orchestrated moments

Shadows play with light
Dancing on art deco walls
Marking time as sunset dips
Fluorescent lucid dreams take over

Where did she go?
Will she ever return?
Silent movie banned
Removed from history

This city an elaborate plot
A network of eyes watching
Orchestrated moments
I fail to play along

Shying, turning heads away
They cannot bear to make eye contact
For it may reveal
Our humanity shared

Humiliation laid on thick
By invisible walls
Of family, institution
Expectations whisper
Such that I, of all people
Will never hear it
The Gaiety Theatre, Zeehan, Tasmania

Long missed

We play, rest, rise
Woven skein unwinding
Houses apart, river abreast
Taking tea on balcony

Always a mystery of two minds
No sensation for downcast eyes
Cascading words lost and find
Fruitless picking out motivations

The bottom of pot, cooled
Renewed, steeped brew simmering heat
Rose between two cheeks

A blush sweet from scorching sun
Below 42 degrees
Blistering sleet

Homebody, I nest alone
Full grown tenderlings
Binding fallen threads
Of existence into thermal weave

So that you, like father
Can protect and heal wind kissed skin
As salty drops slide winsomly
A welcome sting. Long missed love
Ursula Halpin, (1972- ) ‘Displaced Mary, Mother of hope’ ~ inspired by Irish lace. Weaves stories of women and fragmented families. Tasmanian Museum and Art Gallery. Twist exhibition 2023

Blackbirds and Nightingales

Once a many ravens
Perched on picnic walls
Encroaching so daringly
Staring back and forth

Babes in arms were cradled
Toddlers stopped from harm
Backed away hauntingly
Edge from warm spring calm

Escape to caves below
Calcified remains.
Hundred years a column
Ancestors' way laid

Cacophany of cries
Heard across the skies
Sharp eye of witnesses
Those who bled and died

~Inspired by The Nightingale Film (2018)