Rewilding

In the North
On this day
A million Painted Ladies
Drifted on highways
Of warm s'easterlies

Descended upon wild ancient
Lands remembered
To cocoon, feast and rise once again.

Artistic impressions of papillons
Adorn my door, socks, scarf
My eyes have never gazed upon
Such species near or far.

Do they dwindle and fade,
Will glossy scales fall?
Inevitably, yes
In a day.

How perfect that nature's most subtle beauty
Would feast on loathesome thistle, so thoroughly
To cause a whole crop to fail.

As I nestle in seasons of woven tales from near and far
Aran Islands to Chile
I, too, weave a cocoon
Each to each stitch laid bare, thoughts of places
I've never seen
Near and far -
Some I'd never dare

For slowly, I too, will lose the gloss of youth.
Not before I, and many more
Ravenously erode the fields
of prickly weed

For, come spring -
Who knows what I might be.

Poem inspired by the film, Wilding, 2025.

Blackbirds and Nightingales

Once a many ravens
Perched on picnic walls
Encroaching so daringly
Staring back and forth

Babes in arms were cradled
Toddlers stopped from harm
Backed away hauntingly
Edge from warm spring calm

Escape to caves below
Calcified remains.
Hundred years a column
Ancestors' way laid

Cacophany of cries
Heard across the skies
Sharp eye of witnesses
Those who bled and died

~Inspired by The Nightingale Film (2018)

Old fashioned

Mine an old fashioned
Kind of silent movie
Secret smiles
Behind closed doors
Writing captions
Never spoken
Lying in bed
For hours
Only thinking
What's behind
Velvet curtain?
Sending flowers
Anonymous note
The rush and glitz
Glamour of colour
Took over my world
In the stillness
And quiet
Reminisce gentle images
Black and white
Sepia tones
The colour of my dreams
Hers the only rainbow
That matters

The Lost World

Open your eyes to a new world
Where life is created
The DNA of love
For millions of lifetimes
Travel over to where
We long to see, touch
Observe extinct species
Marvel at primitive instincts
A dangerous love
Born of experimentation
Nativity of reason
Extracted from mosquito
A far fetched dream
Comes to fruition
Playing with fire
Hiding in caves
Best leave this world
To the realm
Of fantastical intentions
If tempted to return
To its arms
Just remember how
Jurassic park ended

Lion

World presents digital pixels
Eyes adjust to scenery
Day long listening
To hearts on repeat
Stories neverending
Appeals, demands
Longings, refusals
Understanding
A girl in the background
Crying
Dog barking
Train horn in Dehli
Automatic voice
On the Toongabbie line
Selling my song
No cleaner air
Than what I breathe
Come down toward
Just shy of Antarctic
Weather is fine here
How could you think twice?

Part of your world

'Bright young women
Ready to stand

Ready to know
What the people know

Ask them my questions
And get some answers

When's it my turn?
Wouldn't I love?

Love to explore
That shore up above

Wandering free

Wish I could be
Part of your world'

~Ariel, 1989. (C) Disney
Part of that world, by Jodi Benson
The Little Mermaid, illustration by Edmund Dulac

A heart full

Funny how Cosette
Hands clutched to heart
Could sing of love
While another watching on
Full and empty
Is often only
A few streets
Between them
Mind games
Toying teasing
Playing with its strings
Only hurts the more
When love comes to
An end
How often no one knows
For whom
The river runs deeply
Until it flows no more

Indelicate words

The opening scene and theme
Of Four Weddings and a Funeral
Say the most indelicate word
In such a proper way

To convey intense feelings
For somebody or thing
Fear of missing out on love
The act of not giving in

Perhaps this word invades my mind
In such a proper way of late
Simply because frustration of
No other words to say

When someone has captured completely
All senses pervading with
The delight in submitting willingly
To the plight of love's great gift